“Sites we like” page is updated for @BartlebySnopes
Find it at http://www.bdlit.com/sites-we-like.html … and make more suggestions.
Congratulations Amanda Hart Miller~!
On the way home, we stop at a solar-powered red light. I stare absent-mindedly out my window at the truck next to us. Finally, I realize that the woman in the passenger seat is staring back. My heart starts racing. “Mommy, why are those men riding in the back of that truck?” Iris asks. Read more…
The Line of Fate
With her teeth, Tabitha tore the sutures from the middle finger of her left-hand Ostrich glove. The nubby sections of dyed red leather pulled away from each other like a bad cut. The flesh of her middle finger turned purple as she ran cold water over the exposed flesh. “This is almost like getting a new finger.” Read more …
No Sleep Till Deadtown
The smooth pavement of the bridge rolled under her tires. The last smooth ride she’d have. Soon she was in the mist, and the bridge arced downward. The paved road turned to gravel, and her passenger awoke. “I snuffed it, huh?” She didn’t answer, eyes fixed on the road ahead, the narrow, twisting path through the mire. Read more …
You have no idea what it is like to live on the street. No, not just to be homeless, but to live as a target for others. Others who despise you for no reason beyond your mere existence. Do you hear me? I cannot work. I cannot even squat in a vacant building, no matter how derelict. The others, they never trust me, and in that world, mistrust becomes just cause for violence. Read more …
I followed the instructions, trapping my thoughts. It worked long enough for me to start to drift to sleep. But I could hear them scratching around in the box, like beetles. And then I felt them. I felt them crawling on me. I felt them chewing my hair, I said. Taking a deep breath of his own and then a long draw from his water tube, he said, Well, clearly, you’re not a box-keeper. Read more …
Pigs Fry; Pigs Fly
Her father, oblivious to Hannah’s shame, put three more strips of crunchy, double-smoked bacon on her plate so the serving dish could be replenished with more flesh from the cast-iron skillet. He tugged at his work shirt with greasy fingers, the fat oozing down to give his nails a slick polish. Hannah blamed the medication’s side effects, but she wasn’t quite sure how a beta blocker could make her feel like a cannibal. Read more …
Ripples From The Weather Aggregator
In the line at Heathrow, Jaclyn kept seeing suspicious characters. Any one of these people could be after her. Once she was in the air, it would be all right. Everything would be fine. All she had to do was get off the ground. She wondered if they could touch her once she was through passport control. Did they have people on the other side? Surely not. Read more …
Thank you for sending us “[SubmissionTitle]” for [Category]. We really enjoyed it and would like to publish it in the next open issue of [OrganizationName] online at [OrganizationWebSite] and in one issue of the monthly eBook anthology.
••• YOUR TO-DO LIST •••
You’re going to receive our writer’s agreement for you to sign and return. After reading and understanding the rights being sold or licensed, all you have to do is:
1: type your name and date at the bottom
2: with a 3rd person bio in the body of the email
3: provide us instructions on how to pay you with Paypal USD
4: Accept the Submittable ‘Agreement to Terms’
…then return the first three via email. To learn more about the definitions of the publication rights you are granting, please read writer’s advocacy resources (such as http://www.pw.org/content/copyright ).
••• WHERE CAN I FIND MY STORY? •••
Once published, your story will appear on a unique URL found on the Stories page located at http://www.bdlit.com/stories.html under the publication month to be read online or through an eReader, as part of an eBook anthology. After six months the link will be moved to the archives where it will remain permanently. Note that the URL for the story will not changed during the archive process. You will be eligible for selection for the twice-annual print Anthology issue. The next release for that is Fall, 2014.
••• WHAT’S NEXT FOR THE MAGAZINE? •••
You’ll note that you can sell your reprint rights right away, since we’re not asking for exclusivity at this stage of the development of our press. In the meantime we’re working very hard to build readership. We’re aiming to become an SFWA Affiliate Member and a Qualifying Professional Market by the end of 2015. Once we achieve that goal we will ask newly accepted stories for one year exclusivity. As for our progress on the qualification to apply for Qualifying Professional Market,
– we have about 60% the needed readership; and
– we are 40% into the regular continuous schedule needed; and
– we have budget to for for 40,000 words a year at pro rate.
Note that at this time we are choosing to provide only a semi-pro rate so that can extend our author payments to 200,000 words a year.
••• HOW CAN I HELP THE MAGAZINE? •••
– update your web presence so we can promote you – Goodreads, Author Central, etc.
– donate time (become a first reader)
– get readership (send friends)
– provide reviews of the eBook anthology in your favorite online bookstore.
Thank you for your submission. I look forward to reading more of your work in the future.
••• INTRODUCTION •••
Congratulations! Your work, “[Title]” has been accepted! Your work will not be published anywhere until you have signed and returned this agreement. By signing this agreement, you agree to allow us to publish your story in the online literary publication, [OrganizationName] in the manner detailed below. Briefly described, your work will be published on the website permantently; and in one issue of the eBook anthology only, as files formatted to load on any eReader device. These files are made available for direct side-load from the website, or download through all major eBook storefronts for all eReaders. We would request separately (at a later time) any rights to reprint your story in any print edition.
You are granting First Publication Rights.
You are granting Electronic Rights.
You will retain all other rights, including exclusivity.
••• FIRST PUBLICATION RIGHTS •••
You are verifying that this particular work has NOT BEFORE BEEN PUBLISHED and that you are the SOLE AUTHOR of the work. You will receive pay for your work, EITHER a minimum flat fee of USD $5.00 per story OR USD $0.01 per word–whichever is greater. Your work will appear on our website and in one eBook anthology having a unique ISBN, which can be used as a future publishing credit.
••• ELECTRONIC RIGHTS •••
We will maintain online access indefinitely to your story, at no charge to the reader (under Online ISSN #2333-9977 with a URL to be determined, unique to that story). We’ll publish an eBook anthology for each month’s online stories. One eBook issue will contain your story (under Print ISSN #2333-9969 and an ISBN to be determined, unique to that eBook). The eBook format will be EPUB, MOBI and PDF. No copy of any of the eBooks will have DRM enabled. The eBook will contain statement of rights given to publish, plus rights retained by you.
••• PRICING •••
The online reading access will remain free ALWAYS. The eBook will have availability as follows:
– eBooks are provided as a free side-load ALWAYS, direct from http://bdlit.com; and
– IF newer than 45 days, eBooks are provided in worldwide electronic bookstore venues:
— free of charge, or else at the venue’s minimum charge; and
– IF 45 days or older, eBooks are provided in worldwide electronic bookstore venues:
— sold at USD $3.49, or else at the venue’s minimum charge.
NOTE: 99% of readership leverages the above pricing model to avoid any reading expense, since we provide at least one path to a free copy at all times.
••• FIRST PUBLICATION ATTRIBUTION •••
You will ensure clear and appropriate attribution to the original publication when you reprint elsewhere.
••• HARD COPY PUBLICATION •••
Your work will not appear in any hard-copy print publication from [OrganizationName]. Instead, you will be notified separately if your work is selected for one of the twice-annual print anthologies (under Print ISSN #2333-9969 plus an ISBN to be determined, unique to that volume), and you will have the right to refuse at that time.
••• EDITING •••
You are also agreeing to allow the editors of [OrganizationName] to make minor changes to your work that do not alter the content of the work. These changes may include grammatical changes, spelling changes, and format changes.
••• TERMINATION •••
If at any time you would like to remove your work from our website, please contact us at email@example.com. We will take down your work immediately upon request. Note that if your work has appeared in either the print or eBook anthologies, we will be unable to remove it.
••• NOTES •••
Thank you again for your submission. We hope to see your work again in the future. Please sign below and send this contract to the email address above. Please keep a copy of this contract for your records. We would ask your assistance (before you sign) in highlighting any changes made to the agreement.
••• YOUR STATEMENT OF AGREEMENT •••
I, [SubmitterFirstName] [SubmitterLastName], agree to all of the above terms and give [OrganizationName] the right to publish my work on its website. I also verify that I am the sole author of the piece mentioned above, and as such have the freedom to submit it for publishing.
I wanted to share the transcription from a talk given at Publishers Forum a few days ago:
So then, print and ebook publishers are doomed to become a niche solution? The most gripping analogy for me was something that I personally experienced: The desolation of books about software languages. They are all but gone, replaced not by eBooks, but by community-produced web apps, databases, wikis, etc. This is good. Personally, my (software book) needs were met more readily than by a print book (or any equally useless eBook transcription).
I am thinking about how this applies to publishers like us. In general I’ve spent a lot of time thinking about how, “gee, i wish we made money like the big publishers” or “gee, we NEED eBook versions of our magazine”… At the same time, all the reading we have been doing has led us to believe that there is little difference in the elements of supply chain production between a big 6 publisher and an independent publisher. Similarly, there are parallel paths available for distribution. The real rude awakening for any published writer is the requirement that they have to largely drive their own marketing–even big 6. But I digress.
Let’s stick to presses, specifically independent publishing. When you’re a journal first, Like Black Denim Lit, then a press, like Black Denim Press, I have to look twice to see how the presenter’s discussion of environmental pressures might manifest for a venue such as ours. Here’s my argument for how this might play out:
Take the example of a venue in similar scope and reach (and even readership) such as “Universe Annex” (UA). This is a re-incarnation of Baen Publishing’s artsy, sci-fi journal Jim Baen’s Universe–filled with up-and-coming award-worthy (if not award winning) writers.
Take a look at UA today, and if you read through their submissions guidelines, you’ll recognize quickly that the magazine is fed completely on submissions that are cultivated by a writer’s forum that lives here Baen’s Bar.
Duotrope reports that the acceptance rate is about 1 in 15. All UA’s submissions are hosted in a public, free forum, for which anyone can have a reading password. Submissions are in one forum topic and work-shopped in another forum topic by writers and readers alike. Once the story is “good enough” (measured by community consensus) then the story is promoted to the formal electronic publication that is released six times a year (and the writer is paid a professional rate).
All by itself this work-shopping is not a unique idea. What is impressive is that this journal’s practices comes as an extension of a highly-regarded “writer’s publisher” such as Baen. Baen has always been a little different. And always good at marketing. And clearly outstanding at meeting the needs of its readers. And paying its writers.
All of this falls in the food-for-thought category–when considering any change in direction that our editorial practices or tools we might offer. I think the accomplishments of the UA submission process are unique and radically different than ours. Would it be the way for us to go over the next year? Maybe. Would it be the way to go over the next five years? Probably.
Similarly, how does the speaker’s predicted trend affect our print and eBook initiative? Is that trend more damaging than the marketing challenges faced, or is it a different take on the same symptom? In other words, is the way to increase print / eBook revenue to take a look at the reader’s interest in the format versus the reader’s interest in the content?
It could be argued that the entire presentation could be largely ignored with regard to Black Denim Lit, but it is distinctly more relevant when looking for success with our print / eBooks.
There is a new link below for the book press:
|The Press||The Magazine|
You can see above that we have added a new Facebook page to describe the book press efforts. The press is the larger entity under which we’ll make the magazine and stand-alone books and other publications. We’ll divide the publishing like this:
So, Black Denim Press serves as Publisher, Distributor and Editor of Books and Magazines, print and eBooks.
The governing submissions guidelines for stories are found here. Remember:
Over 17,500 words will be stand-alone volumes under Black Denim Press. Under, will be handled in the magazine, Black Denim Lit.
Without entering into a debate as to what qualifies as “literary” we are looking for stories that have unique and lasting artistic merit.
Comment below or write us and tell us what you think~!
I just wanted to mention regarding Scent of Darkness. Ted Morrissey has been writing a series of interconnected stories, which he thinks of as “the village stories,” that he plans to tie together in some sort of experimental novel. So far stories that have been published are:
I guess we’re prejudiced, since that last one has been read more than 500 times in the first month of its availability, so we think Ted should keep going.